
Let The Right One In Inhaltsverzeichnis
Der zwölfjährige Oskar lebt allein mit seiner Mutter in einem tristen Vorort von Stockholm. In der Schule wird er schikaniert. Zu Hause, wenn er alleine ist, gibt er sich seinen Rachegedanken hin. Dann lernt er eines Tages die gleichaltrige Eli. Der Film, dessen Name auf Morrisseys Lied Let the Right One Slip In zurückgeführt wird, wurde in Blackeberg, Boden, Bromma (Stockholm) und Luleå in. animasana.eu - Kaufen Sie Let The Right One IN günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Let the Right One In: animasana.eu: Ajvide Lindqvist, John, Segerberg, Ebba: Fremdsprachige Bücher. Buy Let The Right One In by Lina Leandersson from Amazon's Movies Store. Everyday low prices and free delivery on eligible orders. Buy Let The Right One In [Blu-ray] from Amazon's Movies Store. Everyday low prices and free delivery on eligible orders. Oscar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl who turns out to be a vampire.

Let The Right One In Movies / TV Video
The Hidden Horror in \His father, whom Oskar visits occasionally, is an alcoholic living in the countryside. Because the boy is the victim of merciless bullying , Oskar has gained morbid interests, which include crime and forensics, and he keeps a scrapbook filled with newspaper articles about murders.
One day, he befriends Eli, a girl of about the same age, who just moved in next door. She's revealed to be a vampire who was turned as a child and is therefore stuck forever in a young body and mind.
Oskar and Eli develop a close relationship, and she helps him fight back against his tormentors. Throughout the book their relationship gradually becomes closer, and they reveal more of themselves, including fragments of Eli's human life.
Among the details revealed is that Eli is a boy named Elias who was castrated when she was turned into a vampire over years ago. However, she dresses in female clothing and is perceived by outsiders as a young girl.
Eli gives him money for doing this. Just before capture, however, he intentionally disfigures himself with acid so that the police will not be able to trace Eli through him.
Despite this, he reanimates as a mindless vampire driven only by his desire for Eli. Meanwhile, Blackeberg local alcoholic Lacke suspects a child is responsible for the murder of his best friend, Jocke whom Eli has killed for blood.
Later, Lacke witnesses Eli attack on his sometime-girlfriend, Virginia. She attempts to drink her blood, but is fought off by Lacke.
Virginia survives, but starts turning into a vampire. She does not realize her "infection" until she tries to prolong her life by drinking her own blood, and finds that exposure to the sun causes boils on her skin.
Upon being hospitalized, Virginia realizes what she has turned into and kills herself in her bed by deliberately exposing herself to daylight.
Lacke, while attempting to avenge Virginia, is thwarted by Oskar and Eli. Oskar eventually fights back and injures his tormentor, Jonny, for which the boy's older brother Jimmy hunts down and attempts to hurt Oskar in retaliation.
Oskar further incurs their wrath when he sets fire to their desks, destroying a treasured photo album belonging to their father.
They corner Oskar at night at the local swimming pool and attempt to drown him. However, Eli rescues Oskar and decapitates the two brothers; together they flee the city with Eli's money and possessions.
The American version is called Let Me In because the publishers believed that the original title was too long. A paperback with the original title was later released to promote the film.
An English language film based mainly on the Swedish film's screenplay was released in October The film's setting was changed from Blackeberg to Los Alamos , New Mexico , and the main characters' names were changed to Owen and Abby.
The show transferred to the Apollo Theatre in March , [12] having received positive reviews from a number of national media outlets.
Ann's Warehouse in In April , it was announced that Hammer Film Productions and Dark Horse Comics are producing a four-issue comic book limited series.
Marc Andreyko will write the comic. The first issue has Abby and her "guardian" facing a ruthless real-estate tycoon who wants to steal their home and was released in December I am looking into this matter and hope that they have no right to do this.
From Wikipedia, the free encyclopedia. This article is about the novel. Main article: Let the Right One In film.
It was released in Sweden on 24 October by Sandrew Metronome. The film received critical acclaim, with praise for the performances of the two leads, the cinematography, screenplay, and direction.
Oskar, a meek year-old boy, resides with his mother Yvonne in the western Stockholm suburb of Blackeberg in His classmates regularly bully him, and he spends his evenings imagining revenge, collecting clippings from newspapers and magazines about murders.
One night he meets Eli, who appears to be a pale girl of his age. Eli initially informs Oskar that they cannot be friends. Over time, however, the two begin to form a relationship, and exchange Morse code messages through their adjoining wall.
Eli learns that Oskar is being bullied by schoolmates and encourages him to stand up for himself. Oskar enrolls in weight-training classes after school.
Eli is prompted to waylay and kill a local man, Jocke, making his way home after having said goodnight to his best friend, Lacke.
A cat-loving recluse, Gösta, witnesses the attack from his flat but, in disbelief, decides not to report the incident.
Eli goes to Oskar's apartment and spends the night with him, during which time they agree to "go steady", though Eli states, "I'm not a girl".
During an ice skating field trip at the lake, some of Oskar's fellow students discover Jocke's body. At the same time, the bullies again harass Oskar, who hits their leader Conny in the head with a metal pole, splitting his ear.
Sometime later, unaware that Eli is a vampire, Oskar suggests that he and Eli form a blood bond , and cuts his hand, asking Eli to do the same.
Eli, thirsting for blood but not wanting to harm Oskar, laps up his blood before running away. Lacke's girlfriend, Virginia, is subsequently attacked by Eli.
Virginia survives but discovers that she has become painfully sensitive to sunlight. Virginia visits Gösta, only to be fiercely attacked by Gösta's cats.
Soon after this, Oskar confronts Eli, who admits to being a vampire. In the hospital, Virginia asks an orderly to open the blinds in her room.
When the sunlight streams in, Virginia bursts into flames. Lacke tracks Eli down to the apartment. Breaking in, he discovers Eli asleep in the bathtub.
He prepares to kill Eli, but Oskar interferes; Eli wakes up, jumps on Lacke and feeds on his blood, killing him.
Oskar is initially upset by Eli's need to kill people for survival. However, Eli insists that they are alike, in that Oskar wants to kill and Eli needs to kill, and encourages Oskar to "be me, for a little while.
However, an upstairs neighbor is angrily knocking on the ceiling due to the disturbance. Eli realizes that it is not safe to stay and leaves that night.
The next morning, Oskar is lured out to resume the after-school fitness program at the local swimming pool.
They enter the pool area and order the children, aside from Oskar, to clear out. Jimmy forces Oskar under the water, threatening to stab his eye out if he does not hold his breath for three minutes.
While Oskar is being held underwater, Eli arrives and rescues him by killing and dismembering the bullies, except for the most reluctant of their number, Andreas, who is left sobbing on a bench.
Later, Oskar is traveling on a train with Eli in a box beside him. From inside, Eli taps the word " kiss " to Oskar in Morse code, to which he taps back " small kiss ".
The film project started in late when John Nordling, a producer at the production company EFTI, contacted Ajvide Lindqvist 's publisher Ordfront to acquire the rights for a film adaptation of his novel, Let the Right One In : "At Ordfront they just laughed when I called, I was like the 48th they put on the list.
But I called John Ajvide Lindqvist and it turned out we had the same idea of what kind of film we should make. It wasn't about money, but about the right constellation".
I had some period when I grew up when I had hard times in school So it really shook me", he told the Los Angeles Times. Lindqvist had insisted on writing the screenplay himself.
Alfredson, who had no familiarity with the vampire and horror genres, [11] initially expressed skepticism at having the original author do the adaptation, but found the end result very satisfying.
Alfredson felt that the film could not deal with such a serious theme as pedophilia in a satisfying manner, and that this element would detract from the story of the children and their relationship.
A key passage in the novel details what happens when a vampire enters a room uninvited, an action that traditional vampire lore usually prohibits.
He realized in post-production that the sound effects and music made it "American, in a bad way", and had to be removed for the scene to work. The novel presents Eli as an androgynous boy, castrated centuries before by a sadistic vampire nobleman.
The film handles the issue of Eli's gender more ambiguously: a brief scene in which Eli changes into a dress offers a glimpse of a suggestive scar but no explicit elaboration.
An actress plays Eli's character, but her voice was considered to be too high pitched, so it was dubbed by voice actress Elif Ceylan.
According to an interview with the director, as the film was originally conceived, flashbacks explained this aspect in more detail, but these scenes were eventually cut.
When Alfredson showed him eight minutes of footage for the first time, he "started to cry because it was so damn beautiful".
He could obviously never do that. The film is his creative process", he said. Casting of the lead actors took almost a year, [22] [23] with open castings held all over Sweden.
Alfredson has described the casting process as the most difficult part of making the film. They were supposed to be "mirror images of each other.
She is everything he isn't. Dark, strong, brave, and a girl. Like two sides of the same coin. It is about creating chords, how a B and A minor interact together, and are played together.
The area where the filming took place dated from around the same time as Blackeberg, and has similar architecture. In particular, the scene where Eli leaps down on Virginia from a tree, was shot in the town square of Blackeberg.
Most of the filming used a single, fixed, Arri B camera, with almost no handheld usage, and few cuts. Tracking shots relied on a track-mounted dolly , rather than Steadicam , to create calm, predictable camera movement.
Cinematographer Hoyte van Hoytema and director Alfredson invented a technique they called "spray light". For the emotional scenes between Oskar and Eli, van Hoytema consistently diffused the lighting.
The film contains around fifty shots with computer-generated imagery. Alfredson wanted to make them very subtle and almost unnoticeable. The crew used a combination of real cats, stuffed cats and computer-generated imagery.
The film features analogue sound-effects exclusively throughout. These analogue sounds can be digitally reworked as much as necessary, but the origin has to be natural".
Late in production it was also decided to overdub actress Lina Leandersson 's voice with a less feminine one, to underline the backstory.
We needed that incongruity. Besides, it makes her menacing", Sundström said. After a vote, the film team ended up selecting Elif Ceylan, who provides all of Eli's spoken dialogue.
Swedish composer Johan Söderqvist wrote the score. Alfredson instructed him to write something that sounded hopeful and romantic, in contrast to the events that take place in the film.
The song "Kvar i min bil", written and performed by Per Gessle , resonates repeatedly through the film. Originally an outtake from Gessle's solo album En händig man , the song was specially provided for the film, to resemble the sound of popular s pop group Gyllene Tider.
The Swedish premiere was originally planned for 18 April , but following the positive response from the festival screenings, the producers decided to postpone the release until autumn, to allow for a longer theatrical run.
The American discs feature both the original Swedish dialogue and an English dubbed version, while the European versions feature only the Swedish, and an audio-descriptive track in English.
Icons of Fright reported that the American release had been criticized for using new, oversimplified English subtitles instead of the original theatrical subtitles.
Let the Right One In received widespread critical acclaim. The critical consensus reads, " Let the Right One In reinvigorates the seemingly tired vampire genre by effectively mixing scares with intelligent storytelling".
Swedish critics generally expressed positive reactions to the film. In 26 reviews listed at the Swedish-language review site Kritiker.
Expressen criticized it for being unappealing to those uninitiated in vampire films while Göteborgs-Posten believed the supporting characters had lost the emotional depth that made the novel so successful.
Reviewers have commented on the beautiful cinematography and its quiet, restrained approach to the sometimes bloody and violent subject matter.
He described it as a story of "two lonely and desperate kids capable of performing dark deeds without apparent emotion", and praised the actors for "powerful" performances in "draining" roles.
Let the Right One In is one of those films — an austerely beautiful creation that reveals itself slowly, like the best works of art do.
In their rationale, the authors noted that, "in these days where every second movie seems to feature vampires, it takes a very special twist on the legend to surprise us — but this one knocked us out and then bit us in the jugular", and found that the "strange central friendship" between the two lead characters was what made the film "so frightening, and so magnetic".
Alfredson won the Gothenburg Film Festival 's Nordic Film Prize as director of Let the Right One In on the grounds that he "succeeds to transform a vampire movie to a truly original, touching, amusing and heart-warming story about friendship and marginalisation".
The details surrounding the film's eligibility for the award resulted in some confusion. This would be exactly enough to meet the criteria for the 81st Academy Awards instead.
Despite the fact that the film was released within the eligibility period for the 82nd Academy Awards, it wasn't among the films considered because the Swedish Film Institute doesn't allow a film to be considered twice.
From Wikipedia, the free encyclopedia. Let the Right One In Theatrical release poster. Release date. Running time. For the English-language remake, see Let Me In film.
Main article: Let Me In film. British Board of Film Classification. Archived from the original on 20 December Retrieved 13 December Box Office Mojo.
Archived from the original on 26 April Retrieved 30 April Consequence of Sound. Retrieved 4 August Dagens Nyheter in Swedish. Archived from the original on 10 September Retrieved 6 March Archived from the original on 27 September Retrieved 16 July Archived from the original on 21 October Los Angeles Times.
Archived from the original on 5 October Retrieved 14 March Swedish Film Institute. Archived from the original on 14 June Retrieved 14 June Svenska Dagbladet in Swedish.
Archived from the original on 14 February Retrieved 8 March Sydney Morning Herald. Archived from the original on 21 April Retrieved 9 May Ain't It Cool News.
Archived from the original on 6 December Retrieved 23 October Archived from the original on 3 March Retrieved 7 March Archived from the original PDF on 27 August Retrieved 20 April The Guardian.
Archived from the original on 31 December Sandrew Metronome. Sky Movies. Archived from the original on 2 August Reverse Shot.
Fortean Times. Archived from the original on 22 May Retrieved 26 October Bland tentaklerna". Aftonbladet in Swedish. Archived from the original on 3 November Archived from the original on 22 December Retrieved 21 December Archived from the original on 19 October Little White Lies.
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