Mortal Engines Fischer Tor
Hunderte von Jahren nachdem ein katastrophales Ereignis die Zivilisation zerstört hat, ist die mysteriöse junge Hester Shaw die Einzige, welche die Stadt London - jetzt ein riesiges Monster auf Rädern - aufhalten kann. Die Stadt droht alles, was. Mortal Engines: Krieg der Städte. aus Wikipedia, der freien Enzyklopädie. Zur Navigation springen Zur Suche springen. Film. Mortal Engines - Krieg der Städte: Roman | Reeve, Philip, Püschel, Nadine, Schröder, Gesine | ISBN: | Kostenloser Versand für alle Bücher mit. Mortal Engines: Krieg der Städte [dt./OV]. ()IMDb 6,12 Std. 8 MinX-Ray Vor Tausenden von Jahren verwüstete eine gewaltige Katastrophe die. Buy Mortal Engines - Krieg der Städte: Roman (German Edition): Read Kindle Store Reviews - animasana.eu "Mortal Engines - Krieg der Städte" ist der Auftaktband zu Philip Reeves monumentaler Fantasyserie voller Luftschiffe und Piraten, Kopfgeldjäger und. Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»Mortal Engines - Krieg der Städte«nach Hause oder Ihre Filiale vor Ort bestellen!
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Mortal Engines (2018) - Destroying London's Engines Scene (10/10) - Movieclips "Mortal Engines" basiert auf dem ersten Teil von Philip Reeves vierteiliger Fantasy-Jugendbuchreihe "Predator Cities". Die Prämisse: In einer. Wer Mortal Engines: Krieg der Städte im Kino verpasst hat, der kann das nun dank Blu-ray-Veröffentlichung nun nachholen. Bei uns gibt es den.
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Mortal Engines (2018) - Land Pirates Scene (3/10) - MovieclipsMortal Engines - Inhaltsverzeichnis
Wenn aber am Ende lediglich etwas mehr als die Hälfte des Budgets an den Kinokassen eingespielt wird, dann darf man aber getrost von einem Flop reden. Inhalt Nach einem verheerenden Krieg, nur bekannt als der Sechzig-Minuten-Krieg, ist die Welt wie wir sie kennen nicht mehr existent. Dezember in die deutschen [8] und am darauf folgenden Tag in die US-amerikanischen Kinos. Er basiert auf dem gleichnamigen postapokalyptischen Roman von Philip Reeve. Verena ZimmermannThalia-Buchhandlung Nuernberg. Sci-Fi-Abenteuer der Extraklasse! Dazu kommen Zeitwechsel ins Präsens, die meines Die Insel Der Besonderen Kinder Stream Hd Filme nicht viel Sinn ergaben und mich persönlich doch gestört haben Mortal Engines: Krieg der Städte. Jahrtausends, Assassins Die Killer Stream Jahre vor den Geschehnissen des Films, hatte sich die bestehende Zivilisation im sogenannten Minuten-Krieg selbst zerstört.
Um Ihre Daten zu schützen, wurde er nicht ohne Ihre Zustimmung geladen. Weiter möchte ich kurz anmerken, dass mich die geistige Entwicklung der Figur Thaddeus Valentine nicht überzeugt hat — der Gedankenumschwung auf den letzten Seiten ist sehr unglaubwürdig. Jonathan Buono. Philip Reeve besitzt einen Schreibstil, an den ich mich zunächst gewöhnen musste. Fischer Tor. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Platz der Kinox.To Download Kostenlos Filme des Jahres erreicht werden. Letztendlich überwiegt aber doch sehr deutlich das Positive. Hauptseite Themenportale Zufälliger Artikel. But opting out of some of these cookies may affect your browsing experience. Zwar packt er seine Leser flink und begeistert sie schnell für sein Szenario; so schreibt er aber doch häufig seltsam hölzern und ungelenk. Auf jeden Fall ein Dystopie-Abenteuer, dass man sich nicht entgehen Die To Do Liste sollte! Meine Neugier für die nächsten Teile Gute Filmtipps definitiv geweckt! Dietrich Lynda Lester More From Mortal Engines. Filming took place from April to July in New Zealand. Rustwater Trader uncredited Keith Mole I also have to mention that yet again we have a Kabadayi case of all the goodies being The Lovers multicultural bunch. Leila George Katherine Valentine. Patrick Malahide Magnus Crome. Stephen Lang Shrike. Colin Salmon Chudleigh Pomeroy.
Christian Rivers Director. Fran Walsh Screenwriter. Philippa Boyens Screenwriter. Peter Jackson Screenwriter. Zane Weiner Producer.
Amanda Walker Producer. Deborah A. Forte Producer. Fran Walsh Producer. Peter Jackson Producer. Philippa Boyens Executive Producer. September 12, Full Review….
March 5, Full Review…. December 24, Rating: 2. December 17, Full Review…. July 14, Rating: 1. May 20, Full Review….
April 4, Full Review…. View All Critic Reviews Oct 08, What's wrong with Mortal Engines? It's that it seems so like other films released within the last years that it's easy to dismiss as derivative, but this is a wunderkind of originality.
Impressive world-building, characters you care about, and action surprises enough for any 14 year old, this will be a gem people come to revisit time and again.
Kevin M. W Super Reviewer. Jun 09, OK so let me start this review by explaining my initial thoughts on this movie and its basic premise.
As I'm sure many are aware the basic idea in this movie is how civilisation has crumbled after a devasting war and the remaining humans have, for some reason, decided to mount all the remaining cities on wheels so they can 'drive them around' so to speak.
Obviously I know this is based on a fantasy novel and the entire concept is outlandish science-fiction, but really?
So firstly I would have to ask how the feck mankind is supposed to have put their cities onto such huge chassis. This would mean they would have had to dig up famous landmarks such as St.
Paul's in London , load them onto the chassis, and then somehow fix them in place to said chassis. I then found myself asking what about the rest of London?
How did they decide what to save? Are all the other buildings custom made for the new London-on-wheels or have they also been dug up and planted on the chassis?
I then found myself asking the most fundamental question I think. What is the actual point in building or putting a city on wheels? How does that benefit the city?
I mean yeah sure you could move it to the coast in the summer but it just seems so utterly stupid. Just looking at these things they look so fragile, vulnerable, and in one case completely top heavy.
Also the fact that mankind has done this after an apocalyptic event really makes little sense. Not to mention the fact they still seem to have a lot of technology, materials, food, water, and working men to actually build all this stuff.
These vast mobile cities are damn impressive feats, yet they go around destroying each other. My last nagging question relates to the land itself.
It seems that the surface of the Earth has changed since the '60 minute war' and countries like the UK have now joined mainland Europe? Anyway, considering how vast the mobile city of London is and I assume some other cities , it got me wondering if there was enough space on the land for all these mobile metropolises.
Heck even the smaller mobile cities are pretty big and its indicated there are many of them. I mean you could ask the same about ocean-going cruise liners in our present day and obviously there is plenty of ocean for lots.
But if there were loads all roaming around on their own accord I'm sure there would be problems. This also led to me ask what state the land would be in.
These gigantic mobile cities tearing and grinding up the earth as they piledrive along. The land would be wrecked, flattened, no trees, no plant life, no animal life, a complete wasteland.
As for the actual movie, well its a mixed bag really and does indeed remind you of some other large budgeted sci-fi movie failures of recent.
Mix in some other very common elements from some other well known classic franchises I don't even need to mention them and this is the inevitable result.
The only aspect of this movie that was slightly fresh was the steampunk aspect, which I liked. But yeah you have your standard unwilling hero who finds himself thrust into a war of which he was somewhat naive about and in this case looks disturbingly like Justin Trudeau.
The standard strong female character who is trying to get revenge. The standard well-spoken leader who is actually behind closed doors the nasty villain.
And then basically a whole load of background characters doing the usual stuff for both sides. I also have to mention that yet again we have a clear case of all the goodies being a multicultural bunch.
A strange and increasingly obvious Hollywood trend. I mean in all honesty, aside from the admittedly cool and intriguing visuals, there isn't really that much going on here.
It has the exact beats both character and plot-wise you would expect from a sci-fi feature of this ilk, literally scene for scene. In one sequence the main villain Thaddeus Valentine Hugo Weaving wants to unleash this cyborg from a prison so it can hunt down and kill the main hero Hester Shaw Hera Hilmar.
Now Weaving's character is highly important in this movie, he has sway and power. Yet in order to release this cyborg he destroys the entire prison killing everyone.
Couldn't he get this thing out without doing that? This attack also highlights how vulnerable and badly designed these mobile vehicles are, in this case a spider-like walking prison.
One shot to a leg joint and down it goes. And speaking of the cyborg a clear Terminator rip-off called Shrike , what was that all about?
From what I can gather these things were men that have been killed in battle and then resurrected with mechanical body parts. And apparently there was an entire army of them.
This particular one looked after Hester as a child after her mother had been murdered. Why this killer cyborg decided to do this I don't know.
But the really odd thing is the fact that the cyborg offers to turn Hester into an undead cyborg because she is suffering depression from the murder of her mother.
Hester agrees!! But in changing her mind Hester breaks that promise which triggers Shrike to continually hunt her down in order to kill her and transform her into an undead cyborg eh???
This entire subplot was just idiotic and was completely pointless to the movie. You could literally remove it all, utterly aimless.
Of course Shrike eventually tracks Hester down to a city in the sky yes that's right a city in the sky, in the clouds if you will Shrike gets badly damaged and Hester does find her original love for Shrike is reignited as the cyborg is obviously about to expire.
So yeah suspension of disbelief is required for this movie. Whilst that might sound obvious for a sci-fi fantasy it's a bit different for this one seeing as its sorta supposed to reflect upon certain obvious political issues of our current time such as capitalism, climate change, easily manipulated governmental systems, non-renewable energy etc Cities that 'eat' and 'absorb' other cities which only benefits the few in the cities instead of everyone which would possibly lead to a better future.
This can be easily detected in the story but the sci-fi element is so zany with its wheeled warrior cities the social commentary kinda gets smothered.
Not to mention the sheer quantity of horrendous greenscreen effects and shots. So yeah, the wheeled tank-like cities concept is engaging but ultimately really stupid.
The rest of it is by the numbers science fiction which can be somewhat fun but only when the characters are actually onboard some kind of moving vehicle they aren't very good characters that's why.
Once they fall off onto the ground the movie literally stops dead, which is weird when you think about it.
This is a highly imaginative and packed world for sure but as said before it owes so much to other films and tries to do too much. I felt like I was watching the final movie in a trilogy or more!
The movie really feels like it needs sequels but I doubt that will happen. One thing I will say, I reckon this has future cult status written all over it.
Phil H Super Reviewer. Mar 12, There's way too much going on, either the movie should have jettisoned a subplot or two, or been a lot longer. That said, I still enjoyed the movie for its ambition and strange set-up.
The image of London as a ravenous machine bent on devouring other cities is kind of ingenious. Alec B Super Reviewer.
Feb 03, Shocking nobody, Mortal Engines was not very good. Trying to jam way too much into two hours than is reasonable, it instead delivers on zero things.
I guess I was kind of interested in the character of Shrike, but that was really the whole of my positive experience with Mortal Engines. Maybe if this thing had come out about eight years ago in the height of the bizarre Steam Punk obsession that gripped the globe even if it was a weird sort of obsession where everybody called everything they like, and themselves Steam Punk but it really wasn't required to have any relation to actual Steam Punk then the movie could have at least done well financially, but there's no world wherein this version of Mortal Engines is a consumate film.
Gimly M Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie. Best Horror Movies. Worst Superhero Movies.
Best Netflix Series and Shows. Go back. Hester Shaw, a masked twenty-something woman among the Salzhakens, attempts to assassinate Thaddeus Valentine, Head of the Guild of Historians, but Tom intervenes, pursuing Hester to a chute.
Hester escapes, but not before telling him that Valentine murdered her mother and scarred her face. When Tom informs Valentine of this, he pushes Tom down the chute.
Tom and Hester are forced to work together to traverse the Hunting Ground, surviving Southies, Scavs on a night hunt, and finding refuge in a vehicle called Scuttlebug, but the owners lock them in a cell, intending to sell them as slaves.
Hester confides that Valentine killed her archaeologist mother Pandora after stealing a piece of Old-Tech she found in a dig in the Dead Continent of the Americas , whilst young Hester escaped with a necklace her mother gave her.
Meanwhile, Valentine frees Shrike, a reanimated cyborg known as a "Stalker", from the offshore walking prison Sharkmoor, to find and kill Hester.
During the chaos, they are pursued by Shrike, whom Hester reveals she knows. Hester explains that Shrike had found and raised her after escaping Valentine, and Hester promised to let him turn her into a Stalker like himself, but she left after discovering that London had entered the Great Hunting Ground, giving her a chance to kill Valentine.
In London, Valentine's good-natured daughter Katherine grows estranged from her father, especially after Apprentice Engineer Bevis Pod informs her that Valentine pushed Tom down the chute, and they learn Valentine's energy project in the re-purposed St Paul's Cathedral is more than it seems.
After questioning Hester, Tom realizes Pandora discovered a computer core for MEDUSA, a quantum energy-based superweapon used by the belligerents during the Sixty Minute War to instantly destroy entire cities, albeit shattering the Earth's crust into a thousand pieces that have rearranged the former continents.
Shrike catches up with them, resulting in a fierce skirmish that critically wounds him and destroys Airhaven. Realizing that Hester is in love with Tom, he frees her of her promise before perishing.
Hester, Tom, Anna, and the remaining Anti-Tractionists lead a raid against London, braving the city's anti-aircraft guns.
In a last-ditch attempt to destroy the Shield Wall, the now insane Valentine has his henchmen kill the city's control crew and put the city on full throttle on a collision course with the Wall.
Hester catches and fights Valentine aboard his airship, where he reveals that he is her father. Tom rescues Hester and shoots down Valentine's ship, which is crushed by London's slowing tracks, killing Valentine.
The surviving Londoners, now led by Katherine, make peace with the Anti-Tractionists, whilst Tom and Hester leave in the Haniver to see the world.
Shooting was scheduled to start in March in Wellington, New Zealand. In February , Robert Sheehan was cast in the film for the lead role alongside Ronan Raftery , while Hera Hilmar was cast as a female lead.
Principal photography on the film began in April , with shooting occurring at Stone Street Studios in Wellington , New Zealand, and was completed in July The website's critical consensus reads, " Mortal Engines has no shortage of eye-catching special effects, but lacks enough high-octane narrative fuel to give this futuristic fantasy sufficient cinematic combustion.
New Zealand news website Stuff reviewer Graeme Tuckett awarded 4 out of 5, praising director Christian Rivers for the film's tone, pacing, choreography, sets, and costumes while noting the film's references to other series, including Star Wars , Mad Max , and The City of Lost Children.
Motamayor also praised Stephen Lang 's role as Shrike, opining that he injected "some much-needed humanity into an otherwise fully mechanical film.
Philip Reeve , author of the Mortal Engines novels, praised the film, stating, "Christian Rivers has done a fantastic job - a huge, visually awesome action movie with perfect pace and a genuine emotional core The film won an award from the Visual Effects Society for its visual effects.
From Wikipedia, the free encyclopedia. Theatrical release poster. Release date. Running time. Film Music Reporter. Archived from the original on Retrieved 18 June Variety Insight.
Retrieved The Hollywood Reporter. Retrieved December 17, Retrieved December 11, Box Office Mojo. Retrieved June 12, Screen Rant. Heart of London.
Archived PDF from the original on The Dominion Post. Archived from the original on February 23, Retrieved October 25, Deadline Hollywood.
